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New Perspectives on Early Music in Spain

Editorial: Reichenberger   Fecha de publicación:    Páginas: 552
Formato: Tapa dura, 16,5 x 24 cm.
Precio: 88,00
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In recent years there has been a resurgence of interest in Spanish music of the Middle Ages and Early Modern period on the part not only of scholars but also of performers and listeners, and not only from inside Spain but also from without. However, the research activity stimulated by this interest has mostly been published in Spanish and within Spain, and has yet to establish a clear narrative in a broader European context. Histories of Western European music still tend to present only brief surveys of musical developments in Spain before 1600, and the extent to which the musics and musicians of the Spanish kingdoms formed an integral part of a wider cultural map has rarely been considered in depth.

This volume brings together research by scholars, both well established and of younger generations, both Spanish and from all over the world, that offers new perspectives on many aspects of early musical culture in the Peninsula whether regarding the Ars Nova or the Counter-Reformation, music historiography or analysis, early improvisation techniques or imitatio in Renaissance polyphony, and questions of performance practice or ambassadorial musical networks. These essays will thus hopefully make an important contribution to establishing and sustaining a valuable discourse with that broader European context.


1. Tess Knighton & Emilio Ros-Fábregas: Iberian Music Research in the Twenty-First Century

Music Historiography and Reception
2. Emilio Ros-Fábregas: Higini Anglès’s Defense of Medieval and Renaissance Sacred Music in Mid-20th Century Rome — 3. Kateryna Schöning: Vocal Basis in Tientos by Luis Milán and Alonso Mudarra: Myth or Reality? — 4. Stephanie Klauk: Problems of Authenticity in the Works of Tomás Luis de Victoria: Some Methodological Considerations

Sources Discovered and Revisited
5. Santiago Galán Gómez: A New Source of Notre Dame Polyphony from Spain: The Manuscript Toledo, Biblioteca Capitular, 98-28 and its Repertory — 6. David Andrés-Fernández: Corpus processionalum in Late Medieval Aragon: Manuscripts, Attributes and Special Features — 7. Michael Noone & Graeme Skinner: Multum in parvo: A 1555 Morales Processional Partbook at Toledo Cathedral—Its Genesis, Use and Later History — 8. Javier Marín López: Music Books for an iglesia principal y calificada: The 1657 Inventory of Jaén Cathedral in Context

Patrons and Patronage
9. Ángel Manuel Olmos: A New Identity for the “Medina” Attribution in the Cancionero Musical de Palacio — 10. Ferrán Escrivà Llorca: Power, Erudition and Musical Patronage in the Sixteenth Century: The Borja Dynasty and the Dukedom of Gandia — 11. Erika Supria Honisch: Light of Spain, Light of the World: Invoking St James in Rudolfine Prague — 12. Greta J. Olson: Juan Bautista Comes and Conflicting Aims of Church and State in Early Seventeenth-Century Valencia

Liturgy and Music
13. Juan Carlos Asensio: “Before retiring at the close of day …”: The Hymnary for Compline in the Escorial’s Choirbook Collection — 14. Mercedes Castillo Ferreira: A Fifteenth-Century Plainchant Office by Hernando de Talavera to Commemorate the Battle of Salado — 15. ?Gonzalo Roldán: Music and Ceremony in Granada Cathedral following the Council of Trent

Music Notation and Analysis
16. Sarah Johnson: Similarity and Contrast in the Cantigas de Santa Maria — 17. Mary E. Wolinski: The Case of the Disappearing Rests: A New Look at the Spanish In seculum Hocket in Madrid, Biblioteca Nacional de España, MS 20486 — 18. Rory McCleery: Duo seraphim clamabant: Homage, “Parody” and Marian Symbolism in a Motet and Antiphon from Renaissance Seville

Theory, Teaching and Improvisation
19. Amaya Sara García Pérez: Music and Architecture in the Historic Façade of the University of Salamanca — 20. ?Ascensión Mazuela: Artes de canto and Music Teaching in the Renaissance Iberian World — 21. Giuseppe Fiorentino: Con ayuda de nuestro señor: Teaching Improvised Counterpoint in Sixteenth-Century Spain — 22. ?Luca Bruno: Improvisational Practice and Harmonic Composition in Mid-Sixteenth-Century Italy and Spain

Traditions of Performance
23. Mauricio Molina: Non se tenga por maestra complida: The Skilful Medieval Female Performer and Her Challenge to the Social and Intellectual Space Dominated by Males — 24. Pilar Ramos López: The Spanish Prohibition on Women Listening to Music: Some Reflections on Juan Luis Vives and the Jewish and Muslim Legacy — 25. ?Sergi Zauner: Revising Polyphonic Lamentations: Composition, Transmission and Performance Practice Context — 26. ?Hector Sequera: Alternatives to the "English a cappella heresy”: Performance Practice of Sacred Spanish Polyphony in English Domestic Circles based on Elizabethan and Early Jacobean Sources

By Way of Coda: A Change of Perspective
27. Leo Treitler: Reflections on Our Mimetic Heritage: From Plato to Louis Vuitton



Pure Gold: Golden Age Sacred Music in the Iberian World «A Homage to Bruno Turner»

Editorial: Reichenberger   Fecha de publicación:    Páginas: 510
Precio: 88,00
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This collection of essays was conceived as an homage to Bruno Turner who has done so much to promote knowledge of sacred music of the Golden Age Iberian world. As choral director, editor and broadcaster, Turner brought this music to the attention of the wider musical public and made it available to choirs all over the world through his specialized publishing firm, Mapa Mundi. Scholars of Iberian sacred music are equally indebted to him for his research, especially on sources, plainchant and liturgy of the Iberian Peninsula and the New World; indeed, he can be considered the eminence grise of musicology in this field.

The essays by seventeen scholars, all of whom have been influenced by and are indebted to his life’s work, bring together the latest research and thinking on wide-ranging aspects of sacred music by Iberian and Hispanic American composers in three main areas: sources and repertories; music and liturgy; motets and musical tributes. These contributions, which enrich and deepen current knowledge of Iberian music of the sixteenth and seventeenth centuries, are framed by a Prelude by the composer Ivan Moody and a Postlude that takes the form of an interview between Turner and the writer, critic and translator Luis Gago.

Introduction · Tess Knighton: A Heart of Pure Gold

Prelude · Ivan Moody: Ayo visto lo Mappamundi: Working with Bruno Turner

Sources and repertories · Michael Noone: A Sixteenth-Century Manuscript Choirbook of Polyphony for Vespers at Toledo Cathedral by Andrés de Torrentes (c. 1510-80) — João Pedro d’Alvarenga: Manuscripts Oporto, Biblioteca Pública Municipal, MM 40 and MM 76-79: Their Origin, Date, Repertories and Context — Juan Ruiz Jiménez: The Unica in MS 975 of the Manuel de Falla Library: A Music Book for Wind Band — Douglas Kirk: A Tale of Two Queens, Their Music Books and the Village of Lerma — Juan Carlos Asensio: The Vicissitudes of Some Printed Fragments of Polyphony — Noel O’Regan: Music Prints by Cristóbal de Morales and Tomás Luis de Victoria in Surviving Roman Inventories and Archival Records

Music and liturgy · Greta Olson: Two Post-Tridentine Lamentation Chants in Eastern Spain — Michael B. O’Connor: Juan de Esquivel’s ‘Ave Maris Stella’ (a 4): Observations on the Spanish Polyphonic Hymn Repertory — Bernadette Nelson: A Polyphonic Hymn Cycle in Coimbra — Eva Esteve: Performance Contexts for the Magnificat in the Iberian Peninsula in the Sixteenth Century — Owen Rees: ‘Jesu Redemptor’: Polyphonic Funerary Litanies in Portugal — Tess Knighton: Music for the Dead: An Early Sixteenth-Century Anonymous Requiem Mass

Motets and musical tributes · Kenneth Kreitner: Peñalosa, ‘Precor te’, and Us — Martin Ham: ‘Rex autem’: Another Iberian Lament in Rhau’s Symphoniae jucundae? — Cristina Diego Pacheco: Unedited Motets by a Little Known Composer: Alonso Ordóñez — Emilio Ros-Fábregas: A Sixteenth-Century Ostinato Motet for Barcelona’s Patroness Saint Eulalia — Robert Stevenson: Musical Tributes to an Attributed Apparition of the Virgin in Spain and in Mexico

Postlude · Luis Gago: Pure Passion: A Conversation with Bruno Turner



Música y músicos en la corte de Fernando el Católico, 1474-1516

Editorial: Institución Fernando el Católico   Año:    Páginas: 406
Formato: Rústica
Precio: 24,00
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